Ананда К. Кумарасвами (1877-1947) как историк и теоретик искусства

сома, похищенного орлом. Не смог помешать ему доставить растение Индре, который приготовил из него напиток бессмертия.

321 Мифы народов мира. Энциклопедия. Т.2 / Ред. С.А. Токарев. М.: Большая Российская экнциклопедия, 1998. С. 15

322 Guardians of the Sun-Door : Late Iconographic Essays & Drawings of Ananda K. Coomaraswamy / Ed. Robert A. Strom. Louisville: Fons Vitae, 2004. P.26

323 Ibid. P. 27

324 Ibid. P. 142

325 Singh, Rajesh. Indian Art History and Stella Kramrish: a Review of Revews // Lalit Kalā. A Journal of Oriental Art. No 30. New Delhi. P.43

326Guha-Thakurta T.. Monuments, Objects, Histories. Institutions of art in colonial and postcolonial India. P.40

327 Rhi Y. Reading Coomaraswamy on the Origin of the Buddha Image // Artibus Asiae. Zurich, 2010. Vol. 70, No 1. P.169-170

328Coomaraswamy A.K. Rajput Painting. Volume I. P.10

329Mitter, P. The Triumph of Modernism: India’s artists and the avant-garde 1922-1947. P.15

330 См. подробнее: Parimoo R. Stella Kramrish’s Approach to Indian Art History / Indian Art History. Changing Perspectives / Ed. Parul Pandya Dhar. New Delhi: National Museum Institute, 2011. P. 69-88

331 Exploring India’s Sacred Art: Selected Writings of Stella Kramrish / Ed. B.S. Miller. Delhi: Motilal Banarsidass Pub, 1994. P. 27

332 Misra R.N. Ancient Artists and Art Activity. Shimla: Indian institute of Advanced Study, 1975

333 Goswamy B.N. Pahari Masters: Court Painters of Northen India. Oxford: Oxford University Press, 1997

334 Goetz H. Art and Architecture of Bikaner State. Oxford: Bruno Cassirer, 1950. 180 p.; Getz H. Rajput art and architecture. Wiesbaden: Franz Steiner Verlag, 1978

335 Boner A. Principles of Composition in Hindu Sculpture: Cave Period. Leiden: E.J. Brill, 1962. 275 p.

336 Pramod Ch. On the Study of Indian Art. Cambridge: Harvard University Press, 1983. P.31

337 Mitter P. Much Maligned Monsters: A History of European Reactions to Indian Art. Chicago: The University of Chicago Press, 1992. P.286

338 Prabha Ray H. Questioning Art History: Locating Religious Identities // Indian Art History. Changing Perspectives / Ed. Parul Pandya Dhar. P.83

339 См например: Desai D. The Religious Imagery of Khajuraho. Mumbai: Franco-Indian Pharmaceutical Ltd, 1996. 269 p.; Representing the Body: Gender Issues in Indian Art / Ed. Dehejia Vidya. New Delhi: Kali for Woman, 1997

340 Op. Cit. P.201

341 Archeology and Text: The Temple in South Asia / Ed. Ray Himanshu Prabha. Oxford: Oxford University Press, 2009

Sacred Landscapes in Asia: Shared Traditions, Multiple Histories /Ed. Ray Himanshu Prabha. New Delhi: Manohar, 2007

342 Ganapati Sthapati V. The Scientific Edifice of Brihadishvara Temple, Tanjore. Chennai: Dakshinaa Pub. House, 2003. 56 p.; Concepts of Space: Ancient and Modern / Ed. K Vaytsyayan. New Delhi: Abhinav Publications, 1991. 665 p. ; Nagaswamy R. Brihadisvara Temple: Form and Meaning. Delhi: IGNCA, 2010

343Prabha Ray H. Questioning Art History: Locating Religious Identities. P. 202

344 Mitter P. Much Maligned Monsters: A History of European Reactions to Indian Art. P. 278

345Vatsyayan K. The Discipline of Art History: Its Multidimensional Nature // Indian Art History. Changing Perspectives / Ed. P. P. Dhar. P. 35

346 Anand M. R. The Hindu View of Art. London: Allen & Unwin, 1933. P.14

347 Singh D. Approaching Indian Past in Mughal Art Criticism: The Case of MARG (1946-1963) // Modern Asian Studies. Cambridge, 2012. P.175

348 Предисловие М.Р. Ананда ко второму изданию «Введения в индийское искусство» (1956), Цит по: Crouch

James S. A Bibliography of Ananda Kentish Coomaraswamy. P.59

349 Mulk Raj Anand. Shaping the Indian Modern / Ed. Annapurna Garrimella. Mumbai: Marg Publocations, 2005. P.22-23

350 Chaudgary P.J. Studies in Comparative Aesthetics. 2^nd Edition. Santiniketan: Visva-Bharati Research Publishing, 1990

351 Шептунова И.И. Очерки истории эстетической мысли в Индии в новое и новейшее время С.144

352 Там же

353 Там же. С.137

354 Там же. С.150

355 Mitter P. The Triumph of Modernism: India’s artists and the avant-garde 1922-1947. P.63-64

356 Brown R. M. Art for a Modern India, 1947-1980. Durham: Duke Inversity Press, 2009. P. 49-53

357 См например: Bhattacharyya N.N. History of the Tantric Religion. New Delhi: Manohar, 1985

358 Mookerjee A. Tantra Art: Its Philosophy and Physics. New Delhi: Ravi Kumar, 1966

359 Beltz Johannes. The Dancing Shiva: South Indian Processional Bronze, Museum Artwork, and Universal Icon // Journal of Religion in Europe. 2011. No 4. P. 211

360 Бхаратанатьям (Bharatanatyam) – стиль классического индийского танца, зародившийся на Юге Индии.

361 Ibid. P.213

362 Lasting Legacies of Mulk Raj Anand / Ed. Md. Rizwan Khan. New Delhi: Atlantic, 2008. P.42-43

363 Bloch Stella. Dancing and the Drama East and West. New York: Orientalia, 1922

364 Lipsey R. Coomaraswamy. Vol. 3: His Life and Work. P.220

365 Ibid. P. 246

366 Heinrich Zimmer: coming into his own. New Jersey / Ed. M. H. Case. New Jersey: Princenton Universuity Press, 1994. P. 137

367 Op. Cit. P. 212

368 Coomaraswamy A.K. [A review of] H[einrich] Zimmer: Kustform und Yoga im Indiaschen Kultbild / Artibus Asiae. 1932. IV. P.78

369 Chandler D. Paul Mus (1902-1969). A Biographical Sketch // Journal of Vietnamese Studies. 2009. N 1. P. 149-191

370 Цит. по: Lipsey R. Coomaraswamy. Vol. 3: His Life and Work. P. 245

371 Mus P. Barabudur: Sketch of a History of Buddhism based on archeological criticism of the Texts. New Delhi: IGNCA, 1998 (First published 1935)

372 Rowland B. Art in East and West. An Introduction through Comparisons. Boston: Beacon Press, 1954

373 Rowland B. The Wall-Painting of India, Central Asia, & Ceylon. Boston: The Merrimount Press, 1938

374 Lipsey R. Coomaraswamy. Vol. 3: His Life and Work. P.216

375 Coomaraswamy A.K. Note on the Philosophy of Persian Art / Traditional Art and Symbolism. New Jersey: Princenton University Press, 1977. P.260-265

376 Iranian and Islamic Art / Ed. R. Ettinghausen, E. Schroeder. Newton(Mass.): the University Print, 1944.

377Pallis M. A Fateful Meeting of Minds: A.K.Coomaraswamy and R. Guenon // The Essential Ananda K. Coomaraswamy / Ed. Rama P. Coomaraswamy. Indiana: World Wisdom, 2004. P.11

378 Ibid. P.2

379Burckhardt T. Sacred Art in East and West: its principles and methods. London: Perrenial Books, 1967. 160 p.

380 Perry W.N. A Treasury of Traditional Wisdom. London: Allen and Unwin, 1971

381 Lipsey R. Coomaraswamy: His Life and Work. P. 213

382 Leidner G. B. Images and Ideas in the Middle Age: Selected Studies in History and Art. Roma: Edizioni di Storia e Leitteratura, 1983. P.171-172

^ Concatenation (лат. concatenatio – «присоединенный цепями») – конкатенация – операция склеивания, сцепления линейной структуры. В данном случае – графический узор-головоломка, пример «бесконечной» линии.

383 Panofsky E. Albrecht Dürer. 3^rd Edtion.Vol. II. New Jersey: Prinenton University Press, 1948. P. 165

384 См. подробнее: Dhruv R. Common Universe of Discourse: A Dialogue between Sarton and Coomaraswamy on Knowledge and Disciplines // Journal for Interdisciplinary and Cross-Cultural Studies. 2003. Vol.3. P. 1-23

385 Selected Letters of Ananda K. Coomaraswamy / Ed. Alvin Moore Jr. P.252

386 Arnheim R. Visual Thinking. Los Angeles: University of California Press, 2004. [1969] P.295

387 Arnheim R. The Dynamics of Architectural Form. Los Angeles: University of California Press, 1977. P.249-250

388 Arnheim. R. Towars the Psycology of Art. Los Angeles: University of California Press, 1966. P. 264

389 Cage J. Silence: Lectures and Writings. London: Wesleyan University Press, 1961. P. 194

390 Цит. по: Crooks E.D. John Cage’s Entanglement with the Ideas of Coomarsawamy: Phd. Music / Edward James Crooks, University of New York. New York, 2011. P.120

391 См например: Sen A. The Argumentative Indian: Writings on Indian History, Culture and Identity. [London]: Penguin Books, 2006. 409 p.; Literary India: Comparative Studies in Aesthetics, Colonialism and Culture / Ed. H. P. Colm, Pandit Lalita. New York: State University of New York Press, 1995

392 Singh, R. Indian Art History and Stella Kramrish: a Review of Revews // Lalit Kalā. A Journal of Oriental Art.. New Delhi, No 30 P. 46